#HOW TO USE DAVINCI RESOLVE MULTICAM HOW TO#
#HOW TO USE DAVINCI RESOLVE MULTICAM PRO#

#HOW TO USE DAVINCI RESOLVE MULTICAM HOW TO#

Tell us what you think, how to improve, and post questions in our Community Forum! For the full list of product features see our guide. Make sure the start timecode of the MOV is the same as the start timecode of the multicam /.

We will no doubt be improving as we continue to evolve TimeBolt! In Resolve, export your multicam or regular clips to h264 MOV. Blackmagic Design announced DaVinci Resolve 12 at NAB 2015 complete with full. This is a slightly tedious process but it is also surprisingly effective. Mopictive Monthly Meetings take place at Abel Cine, 609 Greenwich Street. Step 5: Export FCPXML - save the file as XML to import back into your NLE of choice with clips all cut and synced. Recording your kids sport match Record with multiple cameras at the same time and then bring the output together using multicam to make a video that is sure to impress. The results will show the cuts synced to cam1 audio. The shift value to enter in the dialogue box is already calculated by the Sift Calculator tool. Once the cuts have been applied, use the 'Shift Cuts' button (indicated below in orange) to open up the dialog box. Open cam1 in TimeBolt, click 'Apply Timeline Cuts', select cam1 json file and apply. We will be applying these cuts to the other clips and shifting them appropriately. Then click 'Save Timeline Cuts' button (located at the bottom-right corner of the TimeBolt Timeline). Manually fine-tune all cuts on the timeline. Sync multiple cameras for a concert, event, or other multicam shoots by. Step 3: Filter the Reference Clip in TimeBolt Then save valuable time by using Resolve to automatically sync your multicamera. Voila-the number of seconds to shift the cuts by for each clip in TimeBolt is automatically generated for you.

Select the reference clip and hit 'Calculate Shifts'.

We created a tool to calculate shift amounts. Step 2: Calculate the shifts for each clip. We will be using this information to delay our cuts. This means that the start of the clip is delayed by 26 seconds and 35 frames. The timecode indicator is set to 00:00:26:35.

This will help you snap the head exactly to where the clip starts.Īt the moment, the head is placed at the start of the clip cam3. Cam2 has the main audio and used as the Reference Clip.

#HOW TO USE DAVINCI RESOLVE MULTICAM PRO#

Something like a loud clap is helpful to find a sync point.ĭon't forget to turn on the 'Snapping Feature' which is in the top-right corner of the Final Cut Pro Timeline (next to the Headphones icon). Next, we pull the clips from the explorer and place them on the Timeline while syncing them according to the audio. In our case, we're going to set the project to ' 60p' or 60 frames per second. Note the frame rate of the new project as this will play a critical role in calculating the shifts. I'm going to use Final Cut Pro in the tutorial, but you can just as easily replicate the process in DaVinci Resolve, and Adobe Premiere.Ĭreate a new project. Step 1: Set the clips up in your preferred video editor. Cam1, cam2, cam3 and the main audio source on cam2. This tutorial shows how to sync and cut footage on 3 different camera sources. So no need to render or edit any footage in the NLE first!

How to use davinci resolve multicam